Imdb Manna Mia Here We Go Again
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Assail a colorful Greek island, the plot serves equally a groundwork for a wealth of ABBA songs. A young woman about to be married discovers that whatever one of three men could be her father. She invites all 3 to the wedding without telling her mother, Donna Sheridan (Meryl Streep), who was once the atomic number 82 vocaliser of Donna and the Dynamos. In the meantime, Donna has invited her redundancy singers, Rosie Mulligan (Matriarch Julie Walters) and Tanya Wilkinson (Christine Baranski). —jojo.acapulco@gmail.com
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6/ ten
Super Pooper
Let me tell you. Just because I've been listening to ABBA almost non-end since I saw MAMMA MIA! ii days agone does not mean I enjoyed the film all that much. It's merely the Swedish pop super grouping'southward music is so darn infectious. You lot would call back that energy would interpret to feel-great proficient time at the movies but sadly this is not the instance. First time feature filmmaker, Phyllida Lloyd, spends far too much time dragging her feet when they should be dancing upwardly and down the beach and no matter how many shots of the moonlight shimmering against the waves in that location are, the moving picture is still a clunker instead of a stunner.
When a musical is paper thin on the stage, it runs the risk of existence just patently light-headed on the screen. On the stage, MAMMA MIA! is a somewhat justified alibi to revive a agglomeration of ABBA tracks wrapped into a completely implausible, overly romantic farce. Young Sophie (played on screen by Amanda Seyfried) is simply 20 and about to ally the very supportive and very handsome, Sky (Dominic Cooper). Something is missing though. Sophie has lived on this tiny Greek island her unabridged life and helped run a crumbling hotel with her mother, Donna (Meryl Streep) merely she has never met her father. As far as she knows, he left before her mother could say anything to him just a chance come across with her mother'south diary from the summer of her formulation narrows the possible men to three. And so rather than talk to her female parent nigh her want to know where she came from, she invites all three men (Pierce Brosnan, Colin Firth and Stellan Skarsgard) to her wedding, pretending to be her female parent looking for a reunion. Naturally all three men take the invite and hijinks ensue. While the campiness of the whole affair is forgiven on phase because the suspension of disbelief doesn't apply, this screen version is too far removed from the stage to feel the least bit plausible.
I believe in angels, something good in everything I run into. And while at that place is very little good to focus on in MAMMA MIA!, at least in that location is always surprising Streep. She jumps upwards and downwardly on beds, slides down banisters without the least bit of business organization for breaking her hip. She can sing also. Much like she did in THE DEVIL WEARS PRADA, Streep's performance as the lonely mother of the bride carries the film frontward and, in the show stopping "The Winner Takes It All", elevates the picture to heights it could never have achieved without her participation. Though the 2 don't get nigh enough screen fourth dimension together, Streep and Seyfriend make a great mother/daughter combo. Seyfried'southward fresh exuberance seems like it might actually be inherited from her movie mom. The residual of the cast delivers varying results – Julie Walters clearly thinks she is a comic genius but she comes off too brash; Christine Baranski is miscast equally an older bombshell making for some specially awkward moments with younger men; and someone should ensure that Pierce Brosnan never sings on screen again.
Ultimately, MAMMA MIA! never connects all of its components. A melodramatic moment is followed past a peppy ABBA song, which somehow erases everyone'due south hurting. In that sense, ABBA's music is the perfect choice to gear up the tone every bit it is some of the nearly depressing pop lyricism set to upbeat melodies in popular history. While the dissimilarity adds weight to the songs themselves, the musical masking casts an air of falseness that never lifts. What your left with is a compilation of poorly choreographed, plainly sung music videos. No offence, Meryl, but you are long past your MTV days.
- moutonbear25
- Jul 20, 2008
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By what name was Mamma Mia! (2008) officially released in Canada in French?
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Source: https://www.imdb.com/title/tt0795421/
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